The problem with this technique is that you can only do one twist of the You could solve that by using a perspectiveĭistortion as part of the text rotation, to adjust the font hight, before Stretched or compressed as it gets closer into the center, producing strongĪspect distortion to characters. The height of the text (radially) however remains constant, it is not trim -bordercolor lightblue -border 5x5 font_spiral.jpg rotate 12 -virtual-pixel background -distort Arc 360 \ fill navy label:"Anthony's IM Examples" \ The result is a font that looks like it was printed on courseĬonvert -font Candice -pointsize 32 -background lightblue \ Slightly, and then blurred, and thresholded a few times to smooth out theįinal outline. Of course you will still need the Variable Blur technique to make look right.ĭirty Print Font: The pixels are spread out Probably not the best way to generate the initial 3d shadow like this.īasically it can not make the shadow shorter or longer, like a real shadow, asĪ better method is to use a three point Affineĭistortion which gives you the better control over the placement of the One final point, using the annotate angle arguments for creating the sheared Basically I used an Elliptical Blur variant to achieve this effect. As such the blur also needs to formĮllipses too. Note that I did not just use a circular blur, as light falling on a slanted compose Blur -set option:compose:args 20x5+45 -composite \ \( -size 320x45 gradient:black -append \) \ fill RoyalBlue -annotate 0x125+20+0 'Anthony' \ You can even take this to an extreme to generate a special effect such as.Ĭonvert -size 320x40 xc:lightblue -font Candice -pointsize 72 \ Pattern, particularly with different up-down offsets. (overlaping or not) then you can place them in a 'jitter' or randomized Jittered Characters: if you go so far as drawing individual characters The 'h', but a lot more overlay between the 'n' and 'y' characters. For example, only a little overlap between the 't' and The above was adjusted artistically by different amounts rather than just some Note unlike when using the " -kerning" setting (previous example) each characters position in See Determining Font Metrics for examples. The natural width ofĮach character can be determined by generating labels of each character Script) the appropriate position for each character. This however requires you to work out (manually or automatically using a stroke black -annotate +223+68 y -stroke none -annotate +223+68 y \ stroke black -annotate +193+68 n -stroke none -annotate +193+68 n \ stroke black -annotate +168+68 o -stroke none -annotate +168+68 o \ stroke black -annotate +138+68 h -stroke none -annotate +138+68 h \ stroke black -annotate +120+68 t -stroke none -annotate +120+68 t \ stroke black -annotate +90+68 n -stroke none -annotate +90+68 n \ stroke black -annotate +28+68 A -stroke none -annotate +28+68 A \ stroke black -strokewidth 4 -fill white \ The outline here was also drawn to be a little thicker. Programs (Like " GD" from " PHP", etc) where aĪnother reason for showing this style of outlining, is that the result may beīetter when outlining a font with very sharp points.įor example here we draw the font 12 times to show up the sharp points of theįont. It is also useful technique for other graphic libraries and Useful with pre-prepared clip-art images, such as what you can find all over Regardless, multiple redraws like this, for generating an outline can be very You can use a tile pattern over the font.Ĭonvert -size 320x100 xc:lightblue -font Candice -pointsize 72 \Īs this is also very repetitive, it is not a good outline solution.Īs ImageMagick allows you to draw the font outline by setting the " -stroke" setting, much better Tiled Font: You are not limited to drawing fonts in a fixed color. In particular you can use the effects on clip-art Note that many of these effects can be applied to other images besides a basicįont such as we are using. More interesting special effects from the original, boring text. To do this we need to draw text multiple times, overlay different tiles andĬolors, and apply some of the many image operators available to generate Overlay and color text so as to produce some very weird and wonderful Plain old text as images is boring, but with very little effort you can Look at modifying the basic text drawing ability of IM to create fancy fontsĪnd special effects, which you can then use on your web pages and documents. Using a Mask Image with Fonts To remove parts of an image, before overlay Advanced Font Processing Expanding fonts to produce more complex results More Complex Fonts,ĭrawing text is only the start of what is possible with ImageMagick. Index ImageMagick Examples Preface and Index Compound Fonts Drawing text as images in various styles Tile Filled,
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